Carver/engineer team takes animated carvings to a new level When a carver wants to add motion to his carving, where does he go for advice? To an engineer friend turned carver, of course. That’s exactly what caricature carver Bruce Stake did—he reached out to his friend Bruce Longenecker, who helped […]
Strop your tools to keep them in top shape by Mac Proffitt This article was first published in issue 55 of Woodcarving Illustrated. Regular tool maintenance prevents hours of time spent sharpening. A properly maintained edge needs to be sharpened on a stone only if you damage the edge. Proper tool […]
The staff of Woodcarving Illustrated magazine is packing bags and planning routes as we prepare for the event known in the carving world as “The Dayton Show.” Wait, you’re thinking — isn’t it a bit early for that? But no. Artistry in Wood, which is sponsored by the Dayton (Ohio) […]
Get started with your fall decorating with this fanciful relief carving pattern By Lora S. Irish This clever little critter is planning ahead for winter. Rummaging through the oak leaves, he’s picking up acorns and storing them away. Use this adorable pattern to decorate anything–and carve it in a few […]
So we’ve been wondering… How do you like your carving patterns? Do you like a bare-bones pattern, or do you want every detail captured? Do you need or want a bandsaw outline, or do you ignore those? Please take our survey to tell us about your preferences for patterns! […]
Speed up the roughing-out process by cutting three views with your band saw by Jim Willis This article was first published in issue 52 of Woodcarving Illustrated. I draw the front, top, and side views of my design on the carving blank. This way, I make sure all of the major […]
Choose the right technique for a perfect finish by Vicki Rhodes Carving by Dennis Thornton This article was first published in issue 45 of Woodcarving Illustrated. Many carvers paint their work with acrylic paints. Acrylic paints clean up with water while wet, dry quickly, and are waterproof when fully cured. For […]
Master the basics of drawing with a veiner by Chris Pye This article was first published in issue 42 of Woodcarving Illustrated. A line inscribed on the surface of the wood is probably the simplest form of carving. This artistic expression traces its origins back to some of the most primitive art […]
Learn to tune this difficult-to-sharpen tool by Charles Berold This article was first published in issue 41 of Woodcarving Illustrated. Many carvers find sharpening V-tools a challenge. Most traditional methods focus on treating each side of the V as a straight chisel, but there are several steps leading up to the […]
An introduction to the tools used in traditional woodcarving by Chris Pye I carve in what might be called the traditional manner. It is sometimes referred to as European. The tools of my trade consist of variously shaped gouges, chisels, and so on. I don’t often use knives, which […]
